{"id":14000,"date":"2023-03-21T02:47:00","date_gmt":"2023-03-21T01:47:00","guid":{"rendered":"https:\/\/www.graviton.at\/letterswaplibrary\/the-author-attends-a-party-at-lord-britishs-home\/"},"modified":"2023-03-21T02:47:00","modified_gmt":"2023-03-21T01:47:00","slug":"the-author-attends-a-party-at-lord-britishs-home","status":"publish","type":"post","link":"https:\/\/www.graviton.at\/letterswaplibrary\/the-author-attends-a-party-at-lord-britishs-home\/","title":{"rendered":"The Author Attends A Party At Lord British&#8217;s Home"},"content":{"rendered":"<p> LORD BRITISH&#8217;S SPOOKHOUSE!<\/p>\n<p> The week before the Eve of All Hallows, I received an unusual piece of mail: an<br \/>\nInvitation to Terror! The invitation was printed in silver on black, and<br \/>\npromised an experience not soon to be forgotten. Never one to miss unique<br \/>\nexperiences (or a good scare), I rode the jetstream to Austin, TX to journey<br \/>\nthrough Lord British&#8217;s Origin Spookhouse.<\/p>\n<p> The tales I have to tell of that trip are such that I have chosen to present<br \/>\nthem in two parts. The first part (which follows) presents a slightly<br \/>\nfictionalized narrative of my tour of the Spookhouse, intended to give readers a<br \/>\nsense of the experience enjoyed by those with courage enough to brave the<br \/>\nSpookhouse. The second part of my story is a more sober recounting of the<br \/>\nSpookhouse, describing its origins, its creators, and many of the special<br \/>\neffects and stunts used therein.<\/p>\n<p> A JOURNEY INTO TERROR<\/p>\n<p> I joined with others from my party in my approach to the old house known as<br \/>\nBrittania Manor. We numbered four in all, each suitably attired for what<br \/>\npromised to be a daunting excursion. Thunder rumbled from the direction of the<br \/>\nhouse, though no clouds obscured the stars overhead. I confess: This did not<br \/>\nsettle my nerves, though I maintained a calm visage.<\/p>\n<p> As we walked up the path, we were accosted by a nun whose face wore the lines<br \/>\nand haggard look of someone who has seen more of terror and death than should be<br \/>\nviewed in several lifetimes.<\/p>\n<p> She eyed our little party with a critical, though not disfavorable, eye. Then<br \/>\nshe recounted the story of the manse just ahead of us. It seems the house was<br \/>\nonce a monastery for an order of monks. But the head of the order, a Cardinal<br \/>\nDiego Martinez, delved too deeply into matters best left alone. His probings<br \/>\nopened the way for evil, and the sorceress Minax slew him, claiming the<br \/>\nmonastery for her own.<\/p>\n<p> The monks were driven out, and now, their only hope of reclaiming their home is<br \/>\nthe retrieval of a certain item: the Gargoyle Talisman. If we were to aid these<br \/>\nnoble monks, we would have to penetrate the manse, now warped by evil beyond<br \/>\nrecognition, find the Talisman, and bring it forth. We were not told the form of<br \/>\nthe talisman, nor where it could be found.<\/p>\n<p> As the nun finished her story, she looked at us again and strove to persuade us<br \/>\nto put this quest aside. &#8220;Not for us should you do this,&#8221; she urged.<\/p>\n<p> But we were adamant in our resolve. Perhaps if we had known then what we were<br \/>\nto encounter later, our answer might have been different.<\/p>\n<p> The nun bowed her head in acquiescence to our resolve, then turned as a man of<br \/>\nnoble visage strode toward us.<\/p>\n<p> &#8220;Come this way please,&#8221; he motioned, and strode toward the monastery. As we<br \/>\nfollowed, he introduced himself as Lord British. &#8220;I have heard of your quest,<br \/>\nand will guide you to the door.&#8221;<\/p>\n<p> As we neared the entryway, Lord British stopped us and asked why we were here.<br \/>\nMy companions seemed tongue-tied and muttered something nonsensical about<br \/>\nHalloween and Spookhouses. I spoke up quickly: &#8220;We wish to retrieve the talisman<br \/>\nand free the Monastery of evil.&#8221;<\/p>\n<p> After gazing in some alarm at my companions, Lord British put his hand on my<br \/>\nshoulder, &#8220;Watch over these, your companions. I fear they are not ready for such<br \/>\ntrials as they will face inside.&#8221; I nodded my head, and my companions wisely<br \/>\nrefrained from speaking again.<\/p>\n<p> At the door we met a cloaked monk. Lord British introduced our party to the<br \/>\nmonk and told us that this monk had helped betray the order. Before we could<br \/>\nreact, Lord British hastened to add that the monk had repented his sin and<br \/>\nwished to redeem himself by helping us in our quest.<\/p>\n<p> The monk held out a small wand, &#8220;With this wand I shall open the door before<br \/>\nyou. In this way, I hope to expiate my sin.&#8221;<\/p>\n<p> So saying, he motioned us back, then stood in front of the door. With a shout<br \/>\nhe pointed the wand at the door.<\/p>\n<p> Blue lightning streaked through the door from a face that suddenly appeared<br \/>\nthere, striking the monk&#8217;s wand. This horrible spark danced and spat for fully<br \/>\nfive seconds before the monk dropped to the ground. The acrid smell and wisps of<br \/>\nsmoke told his fate to all who stood there aghast at the suddenness of the<br \/>\nthing.<\/p>\n<p> Lord British woke us from our shock and motioned to us. &#8220;Come with me, this way<br \/>\nis closed now. I cannot lead you further, but can direct you to the monks who<br \/>\nhave taken up residence outside the monastery. Perhaps they know of another way<br \/>\nin.&#8221;<\/p>\n<p> Still dazed and mumbling quick prayers for the soul of that poor monk, we<br \/>\nhastened after Lord British. He showed us a path into the woods and then bade us<br \/>\nfarewell and good luck.<\/p>\n<p> We followed the path to a nearby fire, where we found a small band of monks<br \/>\nsharing the warmth and listening to the sad tunes of a lute played in minor key.<br \/>\nThe lute player spied our party as we entered the small ring of light and<br \/>\nhastened to greet us. &#8220;What do you here in these cursed woods so late at night?&#8221;<br \/>\nhe asked.<\/p>\n<p> We told him of our quest. As with the others, he first tried to persuade us to<br \/>\nabandon our quest. Failing that, he sighed, then motioned forward one of the<br \/>\nmonks. &#8220;Our sister knows of another way into the monastery. She will guide you<br \/>\nto the door, but no farther.&#8221;<\/p>\n<p> We looked down at the small monk who crept toward us. She was stooped in an<br \/>\nodd, unnatural manner, and her voice was a harsh rasp that set our nerves<br \/>\njangling. &#8220;Yes, yes, the small door. I will show it to you. I like it. Heh heh.&#8221;<\/p>\n<p> Despite our misgivings, we followed this gnomish monk further into the woods<br \/>\ndown a steep rocky path lit only by her feeble lantern. As I stared intently at<br \/>\nmy footing, I noticed an unusual number of large white stones strewn about.<br \/>\nLooking closer, I recoiled as I realized that these were bones and bone<br \/>\nfragments heaped in such profusion all around us. What manner of creature would<br \/>\ncreate such a litter? Best never to find out, I thought.<\/p>\n<p> A horse&#8217;s neigh rent the still night air, and our guide held up the lantern.<br \/>\nOut of the mists to our right, a horse skeleton glided toward us, led by a<br \/>\nfemale apparition. &#8220;Wraith!&#8221; cried our guide, &#8220;Quickly, we must leave these<br \/>\nwoods!&#8221;<\/p>\n<p> We hastened after our guide as the wraith called out for us, her macabre<br \/>\nattractions tugging at us. As we looked back, an enormous black cat yowled and<br \/>\nleaped out of the woods at us. Seemingly daunted by the size of our party, it<br \/>\nleft us alone, but continued to howl as we retreated. Finally, we spied the<br \/>\nhouse ahead of us.<\/p>\n<p> The monk started cackling as we neared a small door set near one corner of the<br \/>\nhouse. &#8220;The small door, heh, heh. I like the small door. Do you know why?&#8221;<\/p>\n<p> Mute, I shook my head, not sure how to respond to this misshapen monk.<\/p>\n<p> &#8220;The rats! The rats are biggest and juiciest by the small door. Heh heh heh.&#8221;<\/p>\n<p> Shuddering, I was glad when she swung open the door and motioned us in. &#8220;I<br \/>\ncannot follow, but you must go on. Others have stayed inside waiting for such as<br \/>\nyou to attempt this quest.&#8221; With that, the door slammed shut behind us, leaving<br \/>\nus in a short corridor.<\/p>\n<p> I strode purposefully toward the door at the end of the corridor, determined<br \/>\nthat the dim light and cobwebs would not bother me. I swung the door open, only<br \/>\nto be confronted by a brick wall. Behind me one of the party members found<br \/>\nanother door hidden in the shadows by the entrance. He opened that door and we<br \/>\nplunged through.<\/p>\n<p> Here we found another monk who seemed to know of our quest. He informed us that<br \/>\nwe had arrived at the same time as the Cardinal&#8217;s death. &#8220;Every night his death<br \/>\nis re-created here. Follow me and you will learn of his demise.&#8221;<\/p>\n<p> He led us up a spiral staircase, where we witnessed a strange scene. We stood<br \/>\non a balcony above a candle-lit room obviously used for sorcerous undertakings.<br \/>\nA huge crystal ball stood to one side of an enormous tome. A man dressed in a<br \/>\ncardinal&#8217;s red robes stood hunched over this book, reading aloud. His voice<br \/>\nrumbled and ground over the strange words like boulders digesting smaller rocks.<br \/>\nThe very sound of these words struck fear into us, though we knew not why.<\/p>\n<p> Suddenly, a beautiful woman strode into the room. So this was Minax! She<br \/>\nentered into a stormy argument with the cardinal, demanding to be shown what he<br \/>\nhad discovered. &#8220;No!&#8221; he cried, &#8220;These words should not be read by mortals. They<br \/>\nwill unlock a great evil!&#8221;<\/p>\n<p> &#8220;And a great power, you fool!&#8221; the woman shouted back. When her verbal assaults<br \/>\nfailed, she drew a long knife from the sleeve of her gown and stabbed the<br \/>\ncardinal. As he slumped to the ground, she stooped over the book and began<br \/>\nchanting the spell we had heard before.<\/p>\n<p> Our guide drew us away from this ghastly scene, &#8220;Come, we must go on.&#8221;<\/p>\n<p> We followed the monk past a room containing the Cardinal&#8217;s remains. Then we<br \/>\npassed a bizarre living wall of human souls. As ethereal voices cried out to us<br \/>\nfor help, faces and hands pushed out of the wall&#8217;s surface toward us. Our guide<br \/>\ninformed us that these were lost souls imprisoned in the wall by the evil Minax,<br \/>\nwho took over the monastery after slaying the Cardinal.<\/p>\n<p> He led us past the wall and toward a tower. &#8220;There is someone here who may be<br \/>\nable to tell you more of the talisman, but it is dangerous. Do you wish to turn<br \/>\nback?&#8221;<\/p>\n<p> Stubbornly we motioned forward. We would see this quest through, whatever our<br \/>\neventual fate might be.<\/p>\n<p> As we entered the tower, a hideous gray apparition flew overhead. &#8220;A gargoyle!&#8221;<br \/>\nthe monk cried. Fortunately, this creature was satisfied to simply scream and<br \/>\nhound our footsteps as we climbed into the tower.<\/p>\n<p> We reached a platform at the base of a steep stairway, more ladder than stairs,<br \/>\ntruthfully. As we looked up, a dark figure spread his cloak and glided down from<br \/>\nthe top of the steps toward our party.<\/p>\n<p> &#8220;Who dares disturb the rest of Lord Ozymandias? Do you not know that I have not<br \/>\nfeasted in many moons? Perhaps I shall feed on _you_!&#8221;<\/p>\n<p> With each word, this vampire &#8212; for that is what he was &#8212; glided ever closer.<br \/>\nWith his last words, his pale face nearly grazed my own as he leered, exposing<br \/>\nlong white fangs, his body suspended out over us.<\/p>\n<p> &#8220;Ah, I sense you are on a quest. What do you seek?&#8221;<\/p>\n<p> &#8220;The Gargoyle Talisman,&#8221; I forced myself to say, more intimidated by this<br \/>\ncreature than I would care to admit.<\/p>\n<p> &#8220;Yes, I see. I cannot tell you where this thing can be found, but I can tell<br \/>\nyou what it is. The Gargoyle Talisman is the smallest finger of a gargoyle,<br \/>\nhacked off his hand while he yet breathes. Perhaps you will find what you seek<br \/>\nin the netherworld.&#8221;<\/p>\n<p> We were scarcely comforted by this information, but we hastened back down the<br \/>\nsteps, not wishing to tempt Ozymandias&#8217;s gruesome appetite any longer. We<br \/>\nfollowed another narrow corridor through a misty swamp, then to the shore of a<br \/>\nsmall river.<\/p>\n<p> There our monk told us he must leave us. &#8220;I cannot cross this river, you cross<br \/>\nalone. Another monk will aid you on the other side.&#8221; He helped us into a small<br \/>\ncraft, and pushed us out into misty waters. Too late we realized we were without<br \/>\npaddles, and perforce had to dip our own hands into this ghastly stream to<br \/>\npropel ourselves.<\/p>\n<p> As we knelt over the sides, a dark figure leapt from the waters, nearly<br \/>\nswamping our small boat. Before the creature could attack again, a monk appeared<br \/>\non the opposite bank, grabbed the rope we threw him, and drew us to shore.<\/p>\n<p> &#8220;Quickly, before he returns! We must go,&#8221; he urged us as we clambered out of<br \/>\nthe boat. Just as the last of us stepped on land, the creature returned.<br \/>\nFortunately, it did not care to venture from its watery domain, or this<br \/>\nnarrative might have ended here.<\/p>\n<p> The monk led us toward a spiral staircase. Just as we approached, a tall<br \/>\nshadowy figure lurched toward us from the shadows. &#8220;Hurry, up the stairs!&#8221; cried<br \/>\nour guide, as he led the way.<\/p>\n<p> We quickly scurried after him, but the stairs proved to be little sanctuary.<br \/>\nThe shadow stretched upward to an unnatural height &#8212; twelve feet at least! And<br \/>\nhis arms reached through the rails to snatch at our feet and clothes.<br \/>\nFortunately his grip was weak and fear strengthened our legs and we made good<br \/>\nour escape.<\/p>\n<p> We found ourselves in front of a set of cages with victims chained inside while<br \/>\nguards roamed the tops of cages lashing their inmates. We were forced to make<br \/>\nour way through this nightmarish scene, with the captives grasping at us and<br \/>\npleading for help. The guards just laughed and motioned us forward.<\/p>\n<p> In the next room, we were rudely shocked to find ourselves confronted with<br \/>\nMinax herself! The beautiful woman we had seen earlier was now transformed, her<br \/>\nface a demonic visage that I can scarcely find words to describe. Her nose had<br \/>\ngrown into a hooked beak, her chin protruded sharply, and her brows and<br \/>\ncheekbones were similarly exaggerated. The whole was colored in a sickly green.<br \/>\nBut worst of all was her voice.<\/p>\n<p> &#8220;I know what you want, you fools,&#8221; her words clamored and echoed in our skulls,<br \/>\ngrating our nerves and echoing inside us. &#8220;You will have to make a sacrifice to<br \/>\n_me_ if you wish to go on. One of you must receive my mark.&#8221;<\/p>\n<p> Not knowing fully what I did, I stepped boldly forward. Minax reached out with<br \/>\nher hands and brushed each cheek as I strove not to flinch at her evil touch.<br \/>\nLater, I would discover the full extent of my folly.<\/p>\n<p> Quickly we left Minax&#8217;s lair, her laughter echoing in our footsteps. We<br \/>\nproceeded forward to an apothecary who did not have a gargoyle talisman but<br \/>\noffered us other equally unsavory concoctions. We begged off and left hastily.<\/p>\n<p> Our guide led us to a small chapel staffed by nuns. These nuns offered to bless<br \/>\nus if we would undertake a task. &#8220;Free our brother Elijah, who came here before<br \/>\nyou on the same quest,&#8221; they urged us.<\/p>\n<p> We agreed, and the blessing was given. Given, that is, to all but myself. As<br \/>\nthey saw the marks left by Minax, the nuns hissed and backed away. &#8220;Evil! You<br \/>\nshow the mark of Minax! Evil!&#8221; I was forbidden the blessing and we were quickly<br \/>\nsent our way.<\/p>\n<p> We emerged on a balcony to behold a horrifying sight. A young woman lay on her<br \/>\nback, a bloated spider straddling her body in a pool of blood. As we approached,<br \/>\nthe woman struggled feebly and cried out for help. Our guide shook his head,<br \/>\nthough, &#8220;Too late for this one.&#8221;<\/p>\n<p> We took a set of spiral stairs down. As we descended, another spider, the twin<br \/>\nof the one above, leapt from below. Its leap was twenty feet if it was an inch,<br \/>\nand only good fortune and the sturdy rails of the stairway preserved us from<br \/>\nthis unholy creature. We half-fell, half-flew down the stairs and emerged into a<br \/>\ngraveyard.<\/p>\n<p> Our guide reminded us that we were to seek the Talisman in the netherworld.<br \/>\nWhere else but in a graveyard could we get so close? Motioning us to a small<br \/>\nopen crypt, he bade us to search it for what we sought. As we crowded in, a<br \/>\ngargoyle swung down from above the doorway, grasping at our backs.<\/p>\n<p> In panic we scurried back, noting that nothing lay in the crypt. We escaped the<br \/>\nclutches of the gargoyle and looked about for our guide, but found instead<br \/>\nanother horrifying apparition: Death!<\/p>\n<p> Death was, if anything, more terrifying in life than he\/she\/it had been in our<br \/>\nimagination. He stood seven feet tall in a long hooded robe that hid all but his<br \/>\nskeletal hands and face. Red eyes burned into us as he gazed at our little<br \/>\nparty, and he swung his great scythe forward.<\/p>\n<p> We scarcely knew what to do, but Death motioned across the graveyard to another<br \/>\nsmall area, then glared at us again. Refraining from discussing the issue any<br \/>\nfurther, we hastened off in the direction indicated.<\/p>\n<p> As we crossed the graveyard, a woman&#8217;s scream pierced the night air. Suddenly,<br \/>\nyet another gargoyle swooped overhead, grasping at our heads. We ducked, but<br \/>\ncontinued on. If the gargoyles were trying to stop us, we _must_ have been on<br \/>\nthe right path!<\/p>\n<p> As we neared the area we had been directed to, we saw that it was a small<br \/>\nplatform built about 50 feet beyond the slope ahead. A small rope bridge crossed<br \/>\nthe gap, and a man stood on a small extension of the platform at the end of the<br \/>\nbridge.<\/p>\n<p> Suddenly, our guide reappeared and shouted, &#8220;Brother Elijah! He is there, we<br \/>\nmust rescue him.&#8221; Our guide dashed onto the bridge and we hurried after. But<br \/>\nbefore we were more than halfway across, the small extension gave way and we<br \/>\nwatched in horror as Elijah was hanged right before our eyes. The sickening snap<br \/>\nand protruding tongue told the end of Elijah&#8217;s tale for all of us.<\/p>\n<p> From under the bridge, several trolls sprang forth and began to grab at us. We<br \/>\nturned and fled before any could get a grip and drag us off the bridge. Our<br \/>\nguide then pointed toward a small door with writing on it, and we hastened<br \/>\ntoward it, glad to be leaving the graveyard.<\/p>\n<p> As we approached the door, I saw that the writing on the door read &#8220;Abandon all<br \/>\nhope, ye who enter here.&#8221; Despite these words, hope rose in me. These words<br \/>\nhinted at the very netherworld we were supposed to find. Perhaps we were finally<br \/>\nnearing our goal.<\/p>\n<p> The door was smaller than it first appeared, and we were forced to kneel, then<br \/>\ncrawl into the passage beyond. This passage led up at a sharp angle, eventually<br \/>\ndepositing us into a strange room.<\/p>\n<p> The room was dark momentarily, then lit for the briefest moment, like a<br \/>\nlightning flash in the darkest night. The flashing kept going, in a rapid<br \/>\npattern. In this quasi-light, we saw that the room was painted in a<br \/>\nblack-and-white checkered pattern. And a similarly patterned creature was in the<br \/>\nroom with us! We managed to find another exit, and made our way through, only to<br \/>\nfind that we had jumped from the proverbial frying pan into the fire. Where we<br \/>\nhad previously dealt with flashing light, here there was none at all, only<br \/>\ndarkness. We seemed to be in a narrow corridor, and as I was in the lead, I<br \/>\nurged the party forward.<\/p>\n<p> Alas, even the greatest leader can do little in total blackness, and soon I<br \/>\nfound myself in a _cul de sac_. I instructed the rearmost to take the lead, and<br \/>\nwork back to the last branching. There we would take the other path and hope it<br \/>\nwould lead to a better conclusion.<\/p>\n<p> We proceeded in this manner, exchanging leads as we encountered dead ends,<br \/>\nuntil we finally emerged into a lit area. Here we saw a wooden platform leading<br \/>\ntoward yet another rope bridge. We moved ahead, our eyes readjusting to the<br \/>\nlight.<\/p>\n<p> A man in strange blue clothing greeted us and motioned us onto the platform. As<br \/>\nwe gathered together, the platform gave way under our feet!<\/p>\n<p> Fortunately, we dropped no more than six inches before the supports caught us.<br \/>\nUnfortunately, the rope bridge had broken and fallen into the boiling mud pit<br \/>\nbelow. The man grabbed a rope dangling from the supports above. &#8220;You will have<br \/>\nto swing across with this,&#8221; he told us, leering at our reluctance.<\/p>\n<p> We gazed at each other, but none moved forward until I finally grabbed the rope<br \/>\nmyself. It turned out to be quite easy, and the distance was no more than<br \/>\nfifteen feet. Seeing my example, the rest of the party swung across quickly and<br \/>\nwe proceeded forward through a curtain.<\/p>\n<p> Here a man wearing white robes smeared with blood seemed to be cutting apart a<br \/>\ngargoyle who was lying on a bed. A female assistant was helping him &#8212; when not<br \/>\ncaught up in bizarre fits of cackling laughter. The room had strange ropes and<br \/>\nlines strung all about, some terminating at one wall, the others attached to<br \/>\nvarious devices being manipulated by the man.<\/p>\n<p> As we entered the room, the white-robed figure greeted us and asked what we<br \/>\nsought. We told him of our quest for the Gargoyle Talisman and what we had<br \/>\nlearned of its nature.<\/p>\n<p> &#8220;Well, this gargoyle ain&#8217;t exactly breathing, but we can see about that,&#8221; he<br \/>\nreplied.<\/p>\n<p> So saying, the man turned toward the wall from which came all the lines and<br \/>\ncables. This wall was composed of metal in strange patterns and arrays, studded<br \/>\nwith lights and levers in odd positions. The white-robed figure proceeded to<br \/>\npull levers, switch dials, and turn knobs to the accompaniment of sounds oddly<br \/>\nreminiscent of our encounter with the blue lightening.<\/p>\n<p> Slamming one last lever into place, the man turned toward the gargoyle holding<br \/>\nout two prongs connected to the machinery on the wall. As he touched these prods<br \/>\nto the gargoyle, it twitched and leaped and the whole bed shook. The assistant<br \/>\nclutched at the gargoyle&#8217;s feet and cackled horribly. We saw with horror that<br \/>\nthe gargoyle&#8217;s eyes flashed open, and his mouth gave vent to a scream. Evil<br \/>\nthough he be, we thought this unholy resurrection to be more than any creature<br \/>\ndeserved!<\/p>\n<p> The mad man, for surely that is what he was, quickly pulled a knife and hacked<br \/>\nat one hand. Then he pulled the prongs back, and the shaking and twitching<br \/>\nsubsided. He turned to us and said, &#8220;Here is your talisman. Stone now, as all<br \/>\ngargoyle flesh becomes when it is no longer alive.&#8221; One of my compatriots took<br \/>\nthe petrified digit, too shocked to mumble even perfunctory thanks. Our guide<br \/>\nthen hastened us forward.<\/p>\n<p> The next room was a small triangular shaped affair. As we crowded in, the door<br \/>\nslammed shut behind us. Again. How often had this happened in our journey? I<br \/>\nbegan to wonder if we were not simply pawns being manipulated for the amusement<br \/>\nof the evil Minax. Perhaps our whole quest was a sham, meant only to lead the<br \/>\ngullible forward until they could be brought to some gruesome end.<\/p>\n<p> I shook myself out of this grim reverie and started searching for another way<br \/>\nout. The guide examined the apex of the triangle, the most logical place for an<br \/>\nexit, but said there was no way out. The other walls were solid, and the<br \/>\nentrance was completely blocked. Again and again we searched.<\/p>\n<p> Finally, I shoved the guide to one side and found the exit, right where we<br \/>\nthought it would be. I glared at the guide, but he shrugged and said that it<br \/>\nhadn&#8217;t been there when he looked. He then pulled me to one side, &#8220;You are<br \/>\nendangering the whole party. You should never have taken Minax&#8217;s mark, for now<br \/>\nyour soul is forfeit. This mark shines like a beacon to the evil ones ahead. If<br \/>\nyour party is to have any chance at all, you must go last.&#8221;<\/p>\n<p> I confess, I did not trust this guide very much at this point, but I couldn&#8217;t<br \/>\nargue with his logic. Everyone we encountered had focused immediately on my<br \/>\nmark, so it clearly was as obvious as the guide claimed. As we opened the exit,<br \/>\nI took my place at the rear of the line.<\/p>\n<p> This exit was the smallest we had yet encountered, and we were forced to crawl<br \/>\non hands and knees to enter it. One by one, we crawled in, till at last it was<br \/>\nmy turn. I knelt and followed close on the heels of the guide. But as I got<br \/>\nthrough the door, another in front of me closed.<\/p>\n<p> I turned as quickly as I could in the cramped area, but the door behind me was<br \/>\nalready closing. I was trapped! My prison was a small box about three feet wide<br \/>\nand tall, and scarcely longer. I pressed on each door in turn, and searched all<br \/>\nthe surfaces for an exit. What an ignominious end, I thought, to die trapped in<br \/>\nthis filthy box.<\/p>\n<p> Suddenly my prison lurched into motion. I tumbled from side to side as the box<br \/>\nturned, spun, and moved off in a seemingly random pattern. Finally, it came to a<br \/>\nsudden stop and one of the doors slid open.<\/p>\n<p> I crawled out, but soon wondered if the hellish scene before me was truly<br \/>\npreferable to my little box. I had crawled into a cage hardly larger than my<br \/>\nbox. Creatures of unknown aspect crouched on top of the cage and reached through<br \/>\nto clutch at me. The room was lit in dim blood-red light, and a huge demon stood<br \/>\nbefore me, within a pentagram inscribed on the floor.<\/p>\n<p> Smoke writhed around the feet of the demon, and his visage was horrifying to<br \/>\nbehold. Huge horns protruded up from his forehead, and his brows jutted forward<br \/>\nmenacingly. His chin and cheekbones were equally exaggerated, and his skin was<br \/>\ncolored red, completely down to his waist. His body was tall and strong, and I<br \/>\ncould easily believe that he could rend one of our party with his bare hands.<\/p>\n<p> Before I could speak, the rest of my party stumbled into the room! Could I be<br \/>\nsaved? Or were they all to share my doom?<\/p>\n<p> The demon spoke then, in a huge booming voice that seemed to echo in dimensions<br \/>\nnot seen. Where Minax&#8217;s voice had grated and chilled us inside, this voice<br \/>\nseemed to want to smote us down like a giant fist. Strange lights played about<br \/>\nthe room, in harmony with this demonic sound.<\/p>\n<p> The demon pointed at me and said, &#8220;His soul is mine. Unless you can give me<br \/>\nsomething to win his freedom.&#8221;<\/p>\n<p> My companions turned toward me as the creatures continued to torment me. &#8220;No!&#8221;<br \/>\nI shouted. &#8220;He wants the talisman, don&#8217;t give it him.&#8221;<\/p>\n<p> They turned back to the demon, who spoke again, &#8220;Yes! Give me the talisman and<br \/>\nI will free him. Fail in this, and you condemn him to death and his soul to<br \/>\ndamnation.&#8221;<\/p>\n<p> I pled with my companions to ignore this offer. I knew that my sacrifice would<br \/>\nyield great good if it could lead to the expulsion of Minax and her evil<br \/>\nminions. But my companions bargained with the demon, first winning my release<br \/>\nfrom the cage, then the freedom of my soul. I felt the marks disappear from my<br \/>\nflesh, as my companions handed over the talisman.<\/p>\n<p> Realizing it was too late to change their minds, and not trusting a demon to<br \/>\nhold to its word, I cast about desperately for an exit. In one corner, I spied a<br \/>\ndarkness in the dim light and made for it. Yes, an exit was there.<\/p>\n<p> I crawled into a round tunnel that spun and tumbled me as I crept ahead. I<br \/>\nfound that a forward tumble seemed to neutralize the effect, and I managed to<br \/>\nmake it through. My fellow party members soon followed and we found ourselves<br \/>\nonce again outside the manor. As I began to remonstrate with my companions about<br \/>\ngiving up the talisman, a monk approached us.<\/p>\n<p> &#8220;Your friends chose wisely,&#8221; he said. &#8220;Had they kept the talisman at the price<br \/>\nof your soul, it would have been tainted and unable to be used to expel Minax.<br \/>\nOthers will attempt this quest, and someday Brittania Manor _will_ be free.&#8221;<\/p>\n<p> I was still frustrated with our failure as we trudged away. But as we walked<br \/>\ndown the path, I spied Lord British leading another party of four toward the old<br \/>\nmansion. I murmured a prayer wishing them luck in their quest and my heart rose<br \/>\nat the thought that even Minax must eventually succumb to the stubborn nobility<br \/>\nof those who quest against evil.<\/p>\n<p> BEHIND THE SCENES AT THE SPOOKHOUSE<\/p>\n<p> The proceeding narrative is true in the number and variety of events that<br \/>\noccurred. The characters encountered, and the overall plot and dialogue, are<br \/>\nalso real. Most of the special effects occurred in exactly the manner described.<br \/>\nBlue lightning really does smite the sinful monk at the door to Brittania Manor!<br \/>\nThis section takes you behind the scenes of the Spookhouse to give you a glimpse<br \/>\nof the effort that went into its creation, and insight into how some of the<br \/>\neffects were performed.<\/p>\n<p> Lord British (aka Richard Garriott, of ULTIMA fame) has been creating<br \/>\nSpookhouses for several years. This Spookhouse is distinguished from past<br \/>\nefforts in several important ways. First, Origin Systems and FCI of Japan<br \/>\ncontributed $50,000 to help make this year&#8217;s Spookhouse the biggest and most<br \/>\nelaborate yet. Second, to ensure that the tour could be experienced properly,<br \/>\nattendance was restricted, and only those with an invitation were allowed in.<\/p>\n<p> The tour took 40-45 minutes in all, which is several times longer than any<br \/>\nhaunted house in my experience. Moreover, the use of a coherent plot and lavish<br \/>\ncostumes, make-up, and special effects made the whole experience unique. In many<br \/>\nways, the tour gave visitors a chance to play in a small ULTIMA-style setting.<\/p>\n<p> As mentioned before, considerable funds were contributed to help put the<br \/>\nSpookhouse together. Lord British donated the use of his own home to the cause,<br \/>\nand the uniqueness and size of Brittania Manor contributed incalculably to the<br \/>\nexperience. In addition, at least 70 people gave of their time and energy to<br \/>\nhelp construct, then run, the Spookhouse. The cast was enormous, and watching<br \/>\nthem gather and prepare for a night of haunting was more than a little<br \/>\nreminiscent of a large stage production.<\/p>\n<p> The cast members are all friends or acquaintances of Lord British. Many work at<br \/>\nOrigin Systems. Others are members of the Society for Creative Anachronism. All<br \/>\nshared an incredible enthusiasm for the project that sustained them through long<br \/>\nnights (till four in the morning at times) and the workdays that followed.<\/p>\n<p> The effects used in the Spookhouse were dizzying in their variety. The thunder<br \/>\nwas a looped tape played through hidden speakers strategically placed about the<br \/>\nmanor. Other speakers were hidden in the woods and around the house to produce<br \/>\nthe sounds of the horse&#8217;s neigh and the woman&#8217;s scream, as well as other<br \/>\neffects, such as the moaning voices in the human wall.<\/p>\n<p> Elaborate sound equipment was used to pick up and modulate the voices of Minax<br \/>\nand the Demon. The masks used in the makeup of these characters included hidden<br \/>\nmikes in the chin pieces for this purpose. Various amplification and<br \/>\nreverberation devices created the unique sounds, while hidden speakers around<br \/>\nthe room projected the &#8220;multi-dimensional&#8221; effect.<\/p>\n<p> In the Demon&#8217;s chamber, an assistant stands behind a curtain and aims a set of<br \/>\nlasers at whomever the Demon is addressing. This has the effect of making it<br \/>\nlook like the Demon&#8217;s eyes are casting a red light on each person he faces.<\/p>\n<p> Dry ice and fog machines were used throughout the house, as appropriate. Dry<br \/>\nice was used primarily in the swamp and the river, while fog machines created<br \/>\nsmoke for the drier areas of the house.<\/p>\n<p> A strobe light was used in the checkered room, and the character in there was<br \/>\ndressed in checkered clothes and make-up. The whole effect was startling and<br \/>\nquite unnerving.<\/p>\n<p> The gargoyles and spiders were suspended in rappelling gear to achieve their<br \/>\nswooping and leaping effects. The gargoyles generally were hung on lines and<br \/>\nsimply swung across open spaces. The spider gear was somewhat more elaborate.<\/p>\n<p> The spiders were hung at one end of a counter-weighted rope. This weight was<br \/>\ncarefully calculated to give the spider a net weight of about five to ten<br \/>\npounds. This enabled the spiders to leap with their own strength (up to 20 feet<br \/>\nin the air), and to rapidly climb the outside of the spiral stairs to chase the<br \/>\nparty. An interesting aspect of this effect is that the spider character must be<br \/>\nof a specific weight and size for it to work properly.<\/p>\n<p> The flying gargoyle in the graveyard was achieved using a suspended line about<br \/>\n100-150 feet long. One end was tied at the third floor balcony, the other about<br \/>\n10 feet up on a hidden platform at the other end of the graveyard. A person in<br \/>\ngargoyle costume wore a harness around his hips. This harness was attached to<br \/>\none pulley riding the line. The gargoyle reached forward and grabbed two lines<br \/>\nhanging from a second pulley. Then it leaped off the balcony, and &#8220;flew&#8221; down<br \/>\nthe line suspended underneath the pulleys.<\/p>\n<p> As Lord British explained this effect, he offered to show it to me. He quickly<br \/>\ndonned the harness, clambered up the ladder, and flew across the graveyard. Not<br \/>\nto be outdone, I took a turn at gargoyle flying myself. The experience was<br \/>\nnearly as exhilarating as the Spookhouse itself, and I felt a pang of envy<br \/>\ntoward those who&#8217;d been able to perform in this wonderful interactive show.<\/p>\n<p> The horse skeleton was really a horse skeleton, and it glided along using a set<br \/>\nof pulleys and a line, much like the flying gargoyle. The use of clever<br \/>\nunderlighting and some extra wisps of lacy cloth enhanced the illusion. And the<br \/>\nbones strewn about were just that (yuck!).<\/p>\n<p> The Creature from the Black Lagoon (the river monster) was a man dressed in a<br \/>\nblack skin suit and flippers. The indoor pool was used for the river, with the<br \/>\nbottom painted black to make it less &#8220;pool-like.&#8221; Draping was hung around the<br \/>\npool, affording the creature a hiding spot before he sank silently beneath the<br \/>\nsurface to pounce on our unsuspecting party.<\/p>\n<p> The incredibly tall grabbing monster was a fairly tall young man on painter&#8217;s<br \/>\nstilts with arm extenders. He was dressed in a custom-designed robe that hid<br \/>\nthese features. Death was another tall man in a mask with red LEDs for eyes. He<br \/>\ncarried a real eight-foot-long scythe that would probably fetch a goodly sum at<br \/>\nan antique shop.<\/p>\n<p> To me, the single most startling effect was the blue lightning. In fact, this<br \/>\neffect scared off many small children (who were not supposed to be there<br \/>\nanyway). While I wasn&#8217;t tempted to flee, I will confess to being completely<br \/>\nsurprised and stunned at the sight.<\/p>\n<p> The effect uses a Tesla coil operating at a reported 1,000,000 volts. The monk<br \/>\nholds a metal wand that&#8217;s wired through his robe to a metal plate in his shoe.<br \/>\nThe monk stands on a wire mesh placed approximately four feet from the door. The<br \/>\nmonk holds the wand out, and as he presses a trigger, blue lightning springs<br \/>\nfrom the door to the wand. Not only is this visually spectacular, it is _loud_.<br \/>\nThe monk held this spark for nearly 20 seconds for photographers, and it was<br \/>\nstunning.<\/p>\n<p> In addition to the high-tech effects, elaborate makeup and costumes are<br \/>\nemployed. Every character associated with the Spookhouse is in costume, and 90%<br \/>\nwear makeup. The Demon&#8217;s makeup took over an hour to apply, and others&#8217; makeup<br \/>\ntook nearly as long.<\/p>\n<p> A complete script was created for the tour, including a description of effects,<br \/>\nand instructions on dialogue and coping with slow visitors. This script was<br \/>\nmodified and adjusted right up to the first night, honed and perfected by<br \/>\nfeedback from all involved.<\/p>\n<p> The only sad note to this experience is that it was over too soon, and it&#8217;s not<br \/>\nlikely to be repeated for a while. Origin says that there will not be a<br \/>\nSpookhouse next year, and they are not sure whether there will be one in 1992.<br \/>\nLooking at the various things done to Lord British&#8217;s house, I can understand how<br \/>\nit may take a while to recover and recuperate. Still, if you&#8217;re in the vicinity<br \/>\nof Austin, TX as All Hallows Eve approaches, you might find out whether you know<br \/>\nsomeone who works at Origin Systems. And then sell your soul for an invitation!<\/p>\n<p>X-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-X<br \/>\n Another file downloaded from:                     The NIRVANAnet(tm) Seven<\/p>\n<p> &amp; the Temple of the Screaming Electron   Taipan Enigma        510\/935-5845<br \/>\n Burn This Flag                           Zardoz               408\/363-9766<br \/>\n realitycheck                             Poindexter Fortran   510\/527-1662<br \/>\n Lies Unlimited                           Mick Freen           801\/278-2699<br \/>\n The New Dork Sublime                     Biffnix              415\/864-DORK<br \/>\n The Shrine                               Rif Raf              206\/794-6674<br \/>\n Planet Mirth                             Simon Jester         510\/786-6560<\/p>\n<p>                          &#8220;Raw Data for Raw Nerves&#8221;<br \/>\nX-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-X<\/p>\n<div class='watch-action'><div class='watch-position align-right'><div class='action-like'><a class='lbg-style1 like-14000 jlk' href='javascript:void(0)' data-task='like' data-post_id='14000' data-nonce='65e0e39b87' rel='nofollow'><img class='wti-pixel' src='https:\/\/www.graviton.at\/letterswaplibrary\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='Like' \/><span class='lc-14000 lc'>0<\/span><\/a><\/div><\/div> <div class='status-14000 status align-right'><\/div><\/div><div class='wti-clear'><\/div>","protected":false},"excerpt":{"rendered":"<p>LORD BRITISH&#8217;S SPOOKHOUSE! The week before the Eve of All Hallows, I received an unusual piece of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[27],"class_list":["post-14000","post","type-post","status-publish","format-standard","hentry","category-othernonsense","tag-english","wpcat-7-id"],"_links":{"self":[{"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/posts\/14000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/comments?post=14000"}],"version-history":[{"count":1,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/posts\/14000\/revisions"}],"predecessor-version":[{"id":14001,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/posts\/14000\/revisions\/14001"}],"wp:attachment":[{"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/media?parent=14000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/categories?post=14000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.graviton.at\/letterswaplibrary\/wp-json\/wp\/v2\/tags?post=14000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}